![]() "I love listening to old records," he says. "It should capture the richness and the actual tones of the drums themselves, regardless of who is playing."Īlthough he's regarded as a modern metal master, Jordison admits that a lot of his aesthetic sensibilities come from records of decades past. “A great drum record has to sound good in fact, it should sound special," he says. ![]() On the records that I grew up with and loved, every song was unique – it’s almost as if you had a different journey every time – and the drums were big part of that story."īeyond the compositional and performance issues, Jordison is also of the mind that sonics play a huge part in essential drum recordings. Part of that reason is also because of the quality of the material. "The players didn’t stick to a format or formula. “The drum records that I like are ones on which the drumming didn’t repeat itself," Jordison says. When it comes to his criteria of what constitute essential drum recordings, the double bass drum virtuoso has some pretty exacting standards. Since the release of Slipknot's self-titled debut in 1999, Joey Jordison's highly advanced, rapturous drumming has influenced legions of players across the globe. ![]() The Slipknot/Scar The Martyr star names his faves Joey Jordison picks 10 essential drum albums
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